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Tuesday, 30 January 2007

interview: Wry

Interview with Mário Bross, guitarist and lead singer of Wry, Sorocaba's band living in London since 2002. This interview was made by email at 10 of may of 2005 for a college project and published at Mazzacane.

Wry let some songs available for download on it's official site. What are the advantages and disadvantages of it?


It makes possible that more people get in contact with your songs. And you can use internet to release b-sides, live recordings, remixes, etc.
We intend to sell our single via internet by a fair price, soon.
The only disadvantage we see on it, is if someone hear the song, don't like and don't to buy/listen anything else from the band.
But, in a generic view, authorized music on internet only brings advantages, without any doubts.

How are major record labels reacting in Europe to these "illegal" downloads? Like when a band's cd is available at web even before it get a "physical" release, like happened to Oasis's and Weezer's last albums.

There aren't many things you can do about it, this usually happens because someone close to the band put these songs on the internet. And, sometimes, it's just marketing, to make the band to appear at the news, etc, before the album is released. The Subways, a band which is gonna explode and is close to us, had their album stolen too, everything was at Josh's (drummer) laptop. It got the internet but they didn't care so much about it.
So, there aren't many options. The money spent trying to get the criminal computer is worse than sell a few cds less.

Do you believe bands like Franz Ferdinand and The Killers would be so famous as they're today without the use of peer-to-peer and sites like Rapidshare?

Maybe people didn't know how to sing all the songs when these bands got on tour. In these mentioned cases, image and that big hit should travel through all the world even without internet. They would be famous anyway, that's what I think.
But, if you think about a band a little more alternative, like
Bloc Party or Kaiser Chiefs, I agree with your point of view. Before their albums were released and lots of people all over the world know their songs, djs are playing them, from São Paulo to Tokyo. Internet is evolution, it's the future.
There's no way to negate that it is good for all the bands, understand?


Today, is it crucial for indie bands to put their songs on the internet, available for download?

Of course, you have to be part of it or you'll be left behind. I can see, five years from now, all this technological evolution will triplicate. As they say on the Bible "you cannot buy or sell if you do not have an email"... or something like that. So, it's essential and it's easier than it was a few years ago.

Does the traditional copyright law work with Wry's songs? Had you ever win money with reproduction, execution or any other use of your songs, as these laws pretend to do?

Some of our songs play daily, even three times a day, at some radio stations (in Brazil), for more than 50 cities, and we haven't see the money, never never, not a single cent in our banks counts.
But i guess it happens because we're from underground and we don't have a big manager involved with our work.
I have friends, from others bands, that say this works, slowly, but works. I would like to see it working to Wry too, but, by now nothing is happening. We'll see how this year will be, we think everything will be "in deep blue". By the grace of god!

Wry - jesus beggar



photos: studioeleven

Monday, 29 January 2007

interview: Cansei de Ser Sexy

This interview was made with Ana Rezende, guitarist of Cansei de Ser Sexy, a.k.a CSS, by email at 09-05-2005, for an article about Creative Commons, copyright and the relationship of indie bands with internet.

Releasing your songs only through the internet was a conceptual choice or just a way to save money?

Neither.
It was the easiest way to make people listen to our sound. At that time, we didn't think about make a album, but, when it got serious, we started to make our record (which is almost complete), with different versions of the songs that are online.

We think it's important to put it on internet and we intend to stay doing it.

Comercial radio stations (on Brazil) are almost unreachable for indie rock bands. Does it make internet the major way of spreading indie rock music?

Yes. We have friends that play in indie rock bands and they all spread their work at web. It's the best, fastest and more democratic way to spread your work.

Do you think the internet is an anarchic place, when we think about copyright? Or do you think copyright can still functioning at the virtul world?

If we knew it, we would be rich!

Peer-to-peer programs, like Kazaa and eMule, allow anyone to download for free any song they want, so they don't need to buy cds.
Do you believe we are going into a new age in which bands will live only with the money of their shows?

Yes. People need to realize that it's a positive thing. We've signed with Trama, we're gonna make an album, but we recognize the importance of peer-to-peer.
We all (in the band) have a musical knowledge because we use peer-to-peer, we download lots of songs. And we all know that Cansei de Ser Sexy is getting famous because of it (downloading).
We think there is a new order, more democratic in the industry, which is very good, because music isn't dominated anymore by three or four majors record labels.

Do you know about Copyleft and Creative Commons? Have you ever thought about releasing your songs under these licenses, as a way to stimulate the cultural production and help your songs to get a bigger public (in case of your songs got used in movies, samples, etc) ?

We don't know about those things.


Cansei de Ser Sexy - superafim




photos: flickr of Cansei de Ser Sexy and Adriano

who we are

Ok, you've read "what is meio desligado". Pretty words, uh? But how to trust in something written by someone who you don't know and barely speaks english?

Oooooh.

To know that people who writes in Meio Desligado are not a bunch of stupid motherfuckers, nothing better than some lists about us and our favorite bands, movies, and books, don't you think?


Read the things below to make sure that we have a good knowledge and feeling for music and that we are cool and sexy young brazilians...


*

Marcelo Santiago


{ Student of journalism at PUC Minas and graphic design at Uni-BH; editor of Cinema Em Cena; the man behind P.U.T.A.; responsible for the empire Mazzacane = indie vs pop; director of some videos; photographer beginner; portfolio here, podcast there, orkut here, myspace there and all works you find here }


Favorite bands in all time:

Favorite brazilian bands:

5 cds near perfection:

Last.fm


Favorite films:

Worst movies seen in the last times:

Books:

Television? It's so archaic, but sometimes I see...

Favorite porn star:

Favorite shows:

How people usually describes him:

  • idiot
  • megalomaniac
  • pretensious
  • the one
  • incredible
  • fucker
  • marvelous
  • uh!
  • undescribable

Juliana Semedo


{ Journalism student, when there is time for it. Working at Biblioteca Pública since a year and half ago (I need another job, you if know a good one, please tell me!). Pseudo critic and reviewer of films, books and other cultural objects (Visit my blog, www.estrelatorta.blogspot.com). Eats a lot, cries a lot, talks a lot, likeable, scoffer, sometimes ironic and a little confused }

Bands

...outside Brazil

*
Radiohead
* Smashing Pumpkins
* Nirvana
* The Strokes
* Black Rebel Motorcycle Club
* Belle And Sebastian

Anytime, anywhere:
Bob Dylan

...brazilian bands

* Los Hermanos
* Mombojó
* Ludovic
* Monno
* Blemish

Last.fm


Films

* Paris, Texas
* Pulp Fiction
* 21 Grams
* The Godfather
* Almost Famous

Literature

* Anything of Carlos Drummond de Andrade – always!!!!
* Chronicles: Volume One (Bob Dylan)
* On the Road (Jack Kerouac)
* Uma aprendizagem ou O livro dos Prazeres (Clarice Lispector)
* High Fidelity (Nick Hornby)